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【Groundwater】
Groundwater is the word used to describe water that saturates the ground, filling all the available spaces. By far the most abundant type of groundwater is meteoric water; this is the groundwater that circulates as part of the water cycle. Ordinary meteoric water is water that has soaked into the ground from the surface, from precipitation (rain and snow) and from lakes and streams. There it remains, sometimes for long periods, before emerging at the surface again. At first thought it seems incredible that there can be enough space in the “solid” ground underfoot to hold all this water.
The necessary space is there, however, in many forms. The commonest spaces are those among the particles—sand grains and tiny pebbles—of loose, unconsolidated sand and gravel. Beds of this material, out of sight beneath the soil, are common. They are found wherever fast rivers carrying loads of coarse sediment once flowed. For example, as the great ice sheets that covered North America during the last ice age steadily melted away, huge volumes of water flowed from them. The water was always laden with pebbles, gravel, and sand, known as glacial outwash, that was deposited as the flow slowed down.
The same thing happens to this day, though on a smaller scale, wherever a sediment-laden river or stream emerges from a mountain valley onto relatively flat land, dropping its load as the current slows: the water usually spreads out fanwise, depositing the sediment in the form of a smooth, fan-shaped slope. Sediments are also dropped where a river slows on entering a lake or the sea, the deposited sediments are on a lake floor or the seafloor at first, but will be located inland at some future date, when the sea level falls or the land rises; such beds are sometimes thousands of meters thick.
In lowland country almost any spot on the ground may overlie what was once the bed of a river that has since become buried by soil; if they are now below the water’s upper surface (the water table), the gravels and sands of the former riverbed, and its sandbars, will be saturated with groundwater.
So much for unconsolidated sediments. Consolidated (or cemented) sediments, too, contain millions of minute water-holding pores. This is because the gaps among the original grains are often not totally plugged with cementing chemicals; also, parts of the original grains may become dissolved by percolating groundwater, either while consolidation is taking place or at any time afterwards. The result is that sandstone, for example, can be as porous as the loose sand from which it was formed.
Thus a proportion of the total volume of any sediment, loose or cemented, consists of empty space. Most
crystalline rocks are much more solid; a common exception is basalt, a form of solidified volcanic lava, which is sometimes full of tiny bubbles that make it very porous.
The proportion of empty space in a rock is known as its porosity. But note that porosity is not the same as permeability, which measures the ease with which water can flow through a material; this depends on the sizes of the individual cavities and the crevices linking them.
Much of the water in a sample of water-saturated sediment or rock will drain from it if the sample is put in a suitable dry place. But some will remain, clinging to all solid surfaces. It is held there by the force of surface tension without which water would drain instantly from any wet surface, leaving it totally dry. The total volume of water in the saturated sample must therefore be thought of as consisting of water that can, and water that cannot, drain away.
The relative amount of these two kinds of water varies greatly from one kind of rock or sediment to another, even though their porosities may be the same. What happens depends on pore size. If the pores are large, the water in them will exist as drops too heavy for surface tension to hold, and it will drain away; but if the pores are small enough, the water in them will exist as thin films, too light to overcome the force of surface tension holding them in place; then the water will be firmly held.
Paragraph 1: Groundwater is the word used to describe water that saturates the ground, filling all the available spaces. By far the most abundant type of groundwater is meteoric water; this is the groundwater that circulates as part of the water cycle. Ordinary meteoric water is water that has soaked into the ground from the surface, from precipitation (rain and snow) and from lakes and streams. There it remains, sometimes for long periods, before emerging at the surface again. At first thought it seems incredible that there can be enough space in the “solid” ground underfoot to hold all this water.
1. Which of the following can be inferred from paragraph 1 about the ground that we walk on?
○It cannot hold rainwater for long periods of time.
○It prevents most groundwater from circulating.
○It has the capacity to store large amounts of water.
○It absorbs most of the water it contains from rivers.
2. The word “incredible” in the passage is closest in meaning to
○confusing
○comforting
○unbelievable
○interesting
Paragraph 2: The necessary space is there, however, in many forms. The commonest spaces are those among the particles—sand grains and tiny pebbles—of loose, unconsolidated sand and gravel. Beds of this material, out of sight beneath the soil, are common. They are found wherever fast rivers carrying loads of coarse sediment once
flowed. For example, as the great ice sheets that covered North America during the last ice age steadily melted away, huge volumes of water flowed from them. The water was always laden with pebbles, gravel, and sand, known as glacial outwash, that was deposited as the flow slowed down.
3. The word “out of sight” in the passage is closest in meaning to
○far away
○hidden
○partly visible
○discovered
4. According to paragraph 2, where is groundwater usually found?
○Inside pieces of sand and gravel
○On top of beds of rock
○In fast rivers that are flowing beneath the soil
○In spaces between pieces of sediment
5. The phrase “glacial outwash” in the passage refers to
○fast rivers
○glaciers
○the huge volumes of water created by glacial melting
○the particles carried in water from melting glaciers
Paragraph 3: The same thing happens to this day, though on a smaller scale, wherever a sediment-laden river or stream emerges from a mountain valley onto relatively flat land, dropping its load as the current slows: the water usually spreads out fanwise, depositing the sediment in the form of a smooth, fan-shaped slope.
Sediments are also dropped where a river slows on entering a lake or the sea, the deposited sediments are on a lake floor or the seafloor at first, but will be located inland at some future date, when the sea level falls or the land rises; such beds are sometimes thousands of meters thick.
6. All of the following are mentioned in paragraph 3 as places that sediment-laden rivers can deposit their sediments EXCEPT
○A mountain valley
○Flat land
○A lake floor
○The seafloor
Paragraph 4: In lowland country almost any spot on the ground may overlie what was once the bed of a river that has since become buried by soil; if they are now below the water’s upper surface (the water table), the gravels and sands of the former riverbed, and its sandbars, will be saturated with groundwater.
7. The word “overlie” in the passage is closest in meaning to
○cover
○change
○separate
○surround
Paragraph 5: So much for unconsolidated sediments. Consolidated (or cemented) sediments, too, contain millions of minute water-holding pores. This is because the gaps among the original grains are often not totally plugged with cementing chemicals; also, parts of the original grains may become dissolved by percolating groundwater, either while consolidation is taking place or at any time afterwards. The result is that sandstone, for example, can be as porous as the loose sand from which it was formed.
8. The phrase “So much for” in the passage is closest in meaning to
○that is enough about
○now let us turn to
○of greater concern are
○this is related to
9. The word “plugged” in the passage is closet in meaning to
○washed
○dragged
○filled up
○soaked through
Paragraph 6: Thus a proportion of the total volume of any sediment, loose or cemented, consists of empty space. Most crystalline rocks are much more solid; a common exception is basalt, a form of solidified volcanic lava, which is sometimes full of tiny bubbles that make it very porous.
Paragraph 7: The proportion of empty space in a rock is known as its porosity. But note that porosity is not the same as permeability, which measures the ease with which water can flow through a material; this depends on the sizes of the individual cavities and the crevices linking them.
10. According to paragraphs 6 and 7, why is basalt unlike most crystalline forms of rock?
○It is unusually solid.
○It often has high porosity.
○It has a low proportion of empty space.
○It is highly permeable.
11. What is the main purpose of paragraph 7?
○To explain why water can flow through rock
○To emphasize the large amount of empty space in all rock
○To point out that a rock cannot be both porous and permeable
○To distinguish between two related properties of rock
Paragraph 9: The relative amount of these two kinds of water varies greatly from one kind of rock or
sediment to another, even though their porosities may be the same. What happens depends on pore size. If the pores are large, the water in them will exist as drops too heavy for surface tension to hold, and it will drain away; but if the pores are small enough, the water in them will exist as thin films, too light to overcome the force of surface tension holding them in place; then the water will be firmly held.
12. Which of the sentences below best expresses the essential information in the highlighted sentence in the passage? Incorrect choices change the meaning in important ways or leave out essential information.
○Surface tension is not strong enough to retain drops of water in rocks with large pores but it strong enough to hold on to thin films of water in rocks with small pores.
○Water in rocks is held in place by large pores and drains away from small size pores through surface tension.
○Small pores and large pores both interact with surface tension to determine whether a rock will hold water as heavy drops or as a thin film.
○If the force of surface tension is too weak to hold water in place as heavy drops, the water will continue to be held firmly in place as a thin film when large pores exist.
Paragraph 8: Much of the water in a sample of water-saturated sediment or rock will drain from it if the sample is put in a suitable dry place. But some will remain, clinging to all solid surfaces. It is held there by the force of surface tension without which water would drain instantly from any wet surface, leaving it totally dry. The total volume of water in the saturated sample must therefore be thought of as consisting of water that can, and water that cannot, drain away.
13. Look at the four squares that indicate where the following sentence could be added to the passage.
What, then, determines what proportion of the water stays and what proportion drains away?
Where would the sentence best fit?
14. Directions: An introductory sentence for a brief summary of the passage is provided below. Complete the summary by selecting the THREE answer choices that express the most important ideas in the passage. Some sentences do not belong in the summary because they express ideas that are not presented in the passage or are minor ideas in the passage. This question is worth 2 points.
Much of the ground is actually saturated with water.
Answer choices
○Sediments that hold water were spread by glaciers and are still spread by rivers and streams.
○Water is stored underground in beds of loose sand and gravel or in cemented sediment.
○The size of a saturated rock’s pores determines how much water it will retain when the rock is put in a dry place.
○Groundwater often remains underground for a long time before it emerges again.
○Like sandstone, basalt is a crystalline rock that is very porous.
○Beds of unconsolidated sediments are typically located at inland sites that were once underwater.
参考答案：
1. ○3
2. ○3
3. ○2
4. ○4
5. ○4
6. ○1
7. ○1
8. ○1
9. ○3
10. ○2
11. ○4
12. ○1
13. ○4
14. Sediments that hold water…
Water is stored underground…
The size of a saturated rock’s…
【The Origins of Theater】
In seeking to describe the origins of theater, one must rely primarily on speculation, since there is little concrete evidence on which to draw. The most widely accepted theory, championed by anthropologists in the late nineteenth and early twentieth centuries, envisions theater as emerging out of myth and ritual. The process perceived by these anthropologists may be summarized briefly. During the early stages of its development, a society becomes aware of forces that appear to influence or control its food supply and well-being. Having little understanding of natural causes, it attributes both desirable and undesirable occurrences to supernatural or magical forces, and it searches for means to win the favor of these forces. Perceiving an apparent connection between certain actions performed by the group and the result it desires, the group repeats, refines and formalizes those actions into fixed ceremonies, or rituals.
Stories (myths) may then grow up around a ritual. Frequently the myths include representatives of those supernatural forces that the rites celebrate or hope to influence. Performers may wear costumes and masks to represent the mythical characters or supernatural forces in the rituals or in accompanying celebrations. As a person becomes more sophisticated, its conceptions of supernatural forces and causal relationships may change. As a result, it may abandon or modify some rites. But the myths that have grown up around the rites may continue as part of the group’s oral tradition and may even come to be acted out under conditions divorced from these rites. When this occurs, the first step has been taken toward theater as an autonomous activity, and thereafter entertainment and aesthetic values may gradually replace the former mystical and socially efficacious concerns.
Although origin in ritual has long been the most popular, it is by no means the only theory about how the theater came into being. Storytelling has been proposed as one alternative. Under this theory, relating and listening to stories are seen as fundamental human pleasures. Thus, the recalling of an event (a hunt, battle, or other feat) is elaborated through the narrator’s pantomime and impersonation and eventually through each role being assumed by a different person.
A closely related theory sees theater as evolving out of dances that are primarily pantomimic, rhythmical or gymnastic, or from imitations of animal noises and sounds. Admiration for the performer’s skill, virtuosity, and grace are seen as motivation for elaborating the activities into fully realized theatrical performances.
In addition to exploring the possible antecedents of theater, scholars have also theorized about the motives that led people to develop theater. Why did theater develop, and why was it valued after it ceased to fulfill the function of ritual? Most answers fall back on the theories about the human mind and basic human needs. One, set forth by Aristotle in the fourth century B.C., sees humans as naturally imitative—as taking pleasure in imitating persons, things, and actions and in seeing such imitations. Another, advanced in the twentieth century, suggests that humans have a gift for fantasy, through which they seek to reshape reality into more satisfying forms than those encountered in daily life. Thus, fantasy or fiction (of which drama is one form) permits people to objectify their anxieties and fears, confront them, and fulfill their hopes in fiction if not fact. The theater, then, is one tool whereby people define and understand their world or escape from unpleasant realities.
But neither the human imitative instinct nor a penchant for fantasy by itself leads to an autonomous theater. Therefore, additional explanations are needed. One necessary condition seems to be a somewhat detached view of human problems. For example, one sign of this condition is the appearance of the comic vision, since comedy requires sufficient detachment to view some deviations from social norms as ridiculous rather than as serious threats to the welfare of the entire group. Another condition that contributes to the development of autonomous theater is the emergence of the aesthetic sense. For example, some early societies ceased to consider certain rites essential to their well-being and abandoned them, nevertheless, they retained as parts of their oral tradition the myths that had grown up around the rites and admired them for their artistic qualities rather than for their religious usefulness.
Paragraph 1: In seeking to describe the origins of theater, one must rely primarily on speculation, since there is little concrete evidence on which to draw. The most widely accepted theory, championed by anthropologists in the late nineteenth and early twentieth centuries, envisions theater as emerging out of myth and ritual. The process perceived by these anthropologists may be summarized briefly. During the early stages of its development, a society becomes aware of forces that appear to influence or control its food supply and well-being. Having little understanding of natural causes, it attributes both desirable and undesirable occurrences to supernatural or magical forces, and it searches for means to win the favor of these forces. Perceiving an apparent connection between certain actions performed by the group and the result it desires, the group repeats, refines and formalizes those actions into fixed ceremonies, or rituals.
1. The word “championed” in the passage is closest in meaning to
○changed
○debated
○created
○supported
2. The word “attributes” in the passage is closest in meaning to
○ascribes
○leaves
○limits
○contrasts
3. According to paragraph 1, theories of the origins of theater
○are mainly hypothetical
○are well supported by factual evidence
○have rarely been agreed upon by anthropologists
○were expressed in the early stages of theater’s development
4. According to paragraph 1, why did some societies develop and repeat ceremonial actions?
○To establish a positive connection between the members of the society
○To help society members better understand the forces controlling their food supply
○To distinguish their beliefs from those of other societies
○To increase the society’s prosperity
Paragraph 2: Stories (myths) may then grow up around a ritual. Frequently the myths include representatives of those supernatural forces that the rites celebrate or hope to influence. Performers may wear costumes and masks to represent the mythical characters or supernatural forces in the rituals or in accompanying celebrations. As a person becomes more sophisticated, its conceptions of supernatural forces and causal relationships may change. As a result, it may abandon or modify some rites. But the myths that have grown up around the rites may continue as part of the group’s oral tradition and may even come to be acted out under conditions divorced from these rites. When this occurs, the first step has been taken toward theater as an autonomous activity, and thereafter entertainment and aesthetic values may gradually replace the former mystical and socially efficacious concerns.
5. The word “this” in the passage refers to
○the acting out of rites
○the divorce of ritual performers from the rest of society
○the separation of myths from rites
○the celebration of supernatural forces
6. The word “autonomous” in the passage is closest in meaning to
○artistic
○important
○independent
○established
7. According to paragraph 2, what may cause societies to abandon certain rites?
○Emphasizing theater as entertainment
○Developing a new understanding of why events occur
○Finding a more sophisticated way of representing mythical characters
○Moving from a primarily oral tradition to a more written tradition
Paragraph 5: In addition to exploring the possible antecedents of theater, scholars have also theorized about the motives that led people to develop theater. Why did theater develop, and why was it valued after it ceased to fulfill the function of ritual? Most answers fall back on the theories about the human mind and basic human needs. One, set forth by Aristotle in the fourth century B.C., sees humans as naturally imitative—as taking pleasure in imitating persons, things, and actions and in seeing such imitations. Another, advanced in the twentieth century, suggests that humans have a gift for fantasy, through which they seek to reshape reality into more satisfying forms than those encountered in daily life. Thus, fantasy or fiction (of which drama is one form) permits people to objectify their anxieties and fears, confront them, and fulfill their hopes in fiction if not fact. The theater, then, is one tool whereby people define and understand their world or escape from unpleasant realities.
8. All of following are mentioned in paragraph 5 as possible reasons that led societies to develop theater EXCEPT:
○Theater allows people to face that they are afraid of.
○Theater gives an opportunity to imagine a better reality.
○Theater is a way to enjoy imitating other people.
○Theater provides people the opportunity to better understand the human mind.
9. Which of the following best describes the organization of paragraph 5?
○The author presents two theories for a historical phenomenon.
○The author argues against theories expressed earlier in the passage.
○The author argues for replacing older theories with a new one.
○The author points out problems with two popular theories.
Paragraph 6: But neither the human imitative instinct nor a penchant for fantasy by itself leads to an autonomous theater. Therefore, additional explanations are needed. One necessary condition seems to be a somewhat detached view of human problems. For example, one sign of this condition is the appearance of the comic vision, since comedy requires sufficient detachment to view some deviations from social norms as ridiculous rather than as serious threats to the welfare of the entire group. Another condition that contributes to the development of autonomous theater is the emergence of the aesthetic sense. For example, some early societies ceased to consider certain rites essential to their well-being and abandoned them, nevertheless, they retained as parts of their oral tradition the myths that had grown up around the rites and admired them for their artistic qualities rather than for their religious usefulness.
10. The word “penchant” in the passage is closest in meaning to
○compromise
○inclination
○tradition
○respect
11. Why does the author mention “comedy”?
○To give an example of early types of theater
○To explain how theater helps a society respond to threats to its welfare
○To help explain why detachment is needed for the development of theater
○To show how theatrical performers become detached from other members of society
12. Which of the sentences below best expresses the essential information in the highlighted sentence in the passage? Incorrect choices change the meaning in important ways or leave out essential information.
○A society’s rites were more likely to be retained in the oral tradition if its myths were admired for artistic qualities.
○The artistic quality of a myth was sometimes an essential reason for a society to abandon it from the oral tradition.
○Some early societies stopped using myths in their religious practices when rites ceased to be seen as
useful for social well-being.
○Myths sometimes survived in a society’s tradition because of their artistic qualities even after they were no longer deemed religiously beneficial.
Paragraph 3: Although origin in ritual has long been the most popular, it is by no means the only theory about how the theater came into being. Storytelling has been proposed as one alternative. Under this theory, relating and listening to stories are seen as fundamental human pleasures. Thus, the recalling of an event (a hunt, battle, or other feat) is elaborated through the narrator’s pantomime and impersonation and eventually through each role being assumed by a different person.
13. Look at the four squares .that indicate where the following sentence could be added to the passage.
To enhance their listeners’ enjoyment, storytellers continually make their stories more engaging and memorable.
Where would the sentence best fit?
14. Directions: An introductory sentence for a brief summary of the passage is provided below. Complete the summary by selecting the THREE answer choices that express the most important ideas in the passage. Some sentences do not belong in the summary because they express ideas that are not presented in the passage or are minor ideas in the passage. This question is worth 2 points.
Anthropologists have developed many theories to help understand why and how theater originated.
●
●
●
Answer choices
○The presence of theater in almost all societies is thought to have occurred because early storytellers traveled to different groups to tell their stories.
○Many theorists believe that theater arises when societies act out myths to preserve social well-being.
○The more sophisticated societies became, the better they could influence desirable occurrences through ritualized theater.
○Some theories of theater development focus on how theater was used by group leaders to group leaders govern other members of society.
○Theater may have come from pleasure humans receive from storytelling and moving rhythmically.
○The human capacities for imitation and fantasy are considered possible reasons why societies develop theater.
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